Fewer defective title submissions after automated ingest, validation, and routing.
Los Angeles · 34.0211° N, 118.3965° W
as CEO, product leader, media technologist, and builder
I build AI in Los Angeles, a few miles from the soundstages it's about to change. My career runs through studios, streaming, and live broadcast. Now I run OLY.AI.

Credits
PT --:--:-- Sun -- Golden hour
Career, to scale
By the numbers
Fewer defective title submissions after automated ingest, validation, and routing.
A family of player SDKs for Web, iOS, Android, and TV, shared by every brand instead of a separate player per app team.
Artists stopped hunting for and ordering assets across separate systems. That time went back into creating deliverables for NBC News and msnbc.
Rebuffering ratio held on live events, with video start 29% faster.
The story so far
Technical Product Manager, Studio Technologies for Apple TV · Culver City
I bring AI into the filmmaking and studio workflow. The brief is to rethink how content gets made and moved, with intelligence built into the pipeline from the start.
An AI consultancy that puts agents to work on real problems. Clients own the agents and the infrastructure they run on, so nothing stops working when we leave.
After the acquisition, I helped bring MGM into Prime Video. I built Origin, the system of record for approved content assets, from script through delivery.
A family of video player SDKs shared across Fox Sports, Fox News, and Fox Nation. Fox became the first broadcaster to stream the Super Bowl in 4K HDR.
The future is already here. I work on the distribution.Gibson said it isn't evenly distributed yet. That's the job.
I design experiences, then make them real. The fun part is inventing something that didn't exist yet.
I make complex systems legible and put the reasoning on the table, so a room can sign the same decision.
I clear the path, then get out of it. The team gets the credit.
Steelman the other side. You can't find the win-win until you understand what the other side needs.
NFT drops synced to live episodes of The Masked Singer, minted in real time at each character reveal. It won awards and started a run of community watch-party games with partners including WWE.
I run my own life on an agent stack I built. Openclaw and Nanoclaw handle orchestration, and an Obsidian vault is the memory underneath. I speak and consult on setting it up.
I consolidated the graphics stack into one platform for the 2015 election coverage.
Direct-to-consumer streaming for WWE, HBO GO, and Fox Sports, plus the data behind Statcast.
An award-winning cooking assistant built on Nuance NLP. Alexa Skills and Google Actions followed.
Required reading
A lunar computer that wakes up, starts cracking jokes, and wants a friend who gets them. Then it helps run a revolution. TANSTAAFL.
Why it stuckThe first AI I read about was a colleague you'd want on the team.
An AI that recruits a crew of humans to help it merge with its other half and become something new. It speaks through borrowed faces.
Why it stuckGibson wrote the future I now work on distributing.
A robot cat that gets a firmware upgrade every few chapters, until the family pet is the smartest mind in the story.
Why it stuckCompounding upgrades is the arc every agent stack is on, mine included.
An interactive book, built for an aristocrat's granddaughter, ends up raising Nell, a street kid. It rewrites every story around her, and a live human actor gives it a voice.
Why it stuckAI that tells stories with a human performance at its center. That's the studio of the future I'm building toward.